TESTIMONIALS
Truly honoured to be reimagined through the lens of AI conceptual artist Mia Fendi—recently featured at New York’s iconic Oculus (and in the metaverse), and celebrated as “one of the defining digital artists of our generation.” The personalised, AI-generated art, shaped from my own photography, represents more than aesthetic innovation; it marks a new chapter in the unfolding dialogue between technology and human expression. What moves me most is the deeper message embedded in the images: that in the hands of a thoughtful creator, AI becomes more than a tool: it becomes a mirror. It has the potential to reveal hidden layers of our humanity and invite a deeper introspection about who we are and what we might become…
♾️ From Sotheby’s:
“Golden Reckoning: Nadja Skaljic as the Modern Goddess of Climate Justice” A Gustav Klimt Reverie Reimagined by Mia Fendi
“At the heart of this work stands Nadja Skaljic—serene yet resolute. Her presence radiates the calm assurance of someone who has already brought her visions to life, her gaze hints at new frontiers still forming in her mind. Set within a dreamlike landscape, the piece unfolds with symbols of a rebalanced world. Wind turbines rise like sculptural sentinels of sustainable energy, while a golden sun beams the enduring promise of solar power—eternal, inexhaustible. Rolling green fields evoke a planet in balance: fertile, thriving, and whole. Her cloak—part garment, part cosmos—is adorned with motifs of regeneration, digital currencies, and ecological symbiosis. The details whisper of a new mythology, where technology and nature are no longer at odds but collaborate as co-authors of a luminous future.“
♾️
“Nadja: Eternal Muse of Inner Sovereignty” An Amedeo Modigliani Invocation Reimagined by Mia Fendi
“In this arresting homage, Mia Fendi channels the ghostly elegance of Modigliani through the lens of AI serving as both mirror and muse. The portrait of Nadja Skaljic emerges as a figure both ancient and ultra-modern—elongated, introspective, and imbued with a haunting serenity. True to Modigliani’s legacy, the composition transcends mere likeness. The almond-shaped eyes become portals, enigmatic and ungraspable. They meet the viewer's gaze and also eclipse it, inviting contemplation. Here, ambiguity becomes a form of intimacy. Nadja’s figure is not observed so much as sensed—grace distilled into line and shadow.
Fendi’s reinterpretation gently weaves a new iconography of female autonomy. Nadja is not simply a subject; she is an archetype, a symbol of inner sovereignty in a world rushing toward artificial certainty. Executed with digital finesse yet deeply human in tone, the piece resists the spectacle of hyper-reality. In an era saturated with synthetic perfection, its restraint is refreshing. This work is more than portraiture—it is a meditation.”
More about Mia Fendi’s work:
https://www.miafendi.com
https://lnkd.in/eqRUBFvE
Cc: Refik Anadol + World Economic Forum
Nadja Skaljic,
The esteemed international lawyer
and member of The Club of Rome,
the preeminent systemic‑change think tank
"The Director of the Museum of Herzegovina Mostar, Asim Krhan, expressed his satisfaction with the exhibition, highlighting its significance for both the institution and the city of Mostar. 'I thank the artist for choosing Mostar and our Old Bridge, the old city center, as the motif for this exhibition. This confirms that Mostar, with its Old Town, has been an inspiration in literature, visual arts, and poetry throughout the centuries, and as we see, the future is bright. Mostar holds a significant place even in artificial intelligence and is indispensable. I especially thank you for such an excellent exhibition that will promote both the city and our museum.'"
Asim Krhan, MBA
Director of the Museum of Herzegovina, Mostar
"Mia Fendi's work is a transformative blend of classical inspiration and digital innovation. As one of the '115 Best Digital Artists of Our Generation,' her art resonates deeply, capturing the essence of modern creativity while paying homage to timeless artistic techniques. Her selection for the Day of the Dead Exhibition at Oculus, WTC, is a testament to her ability to evoke profound emotion and cultural connection through digital mediums. We are thrilled to have her as part of this iconic showcase."
Lorraine Ye
Head Curator of HUG
“Mia Fendi’s work bridges centuries with rare elegance. It invites viewers to rediscover the language of the masters through the lens of artificial intelligence—without losing the soul of the original. This exhibition offers not only aesthetic innovation, but a new model for how heritage can speak to the future.”
Amina Rizvanbegovic Dzuvic, MA
Director of the Bosniak Institute
- Adil Zulfikarpasic Foundation
"The uniqueness of this exhibition, according to art historian and catalog text author Ermin Lagumdžija, lies not only in the visual appeal of the displayed works but also in how it raises intriguing aesthetic questions about the nature of artistic creation. The relevance of the exhibition stems from its ability to inspire reflections on new possibilities for affirming cultural heritage and creative activity in relation to the technological achievements of the 21st century."
Ermin Lagumdzija, MA
Art Historian
"Mia has been an incredibly talented artist in our past exhibitions, and we were always thrilled to showcase her work. Her unique style and creative expression have consistently added great value to our events, and we couldn't be happier to have had her as part of our artistic community. We look forward to continuing our collaboration and celebrating her future achievements."
Gulsum Keskinoglu, gallery owner
New York Exhibition
“Mia Fendi doesn’t just use AI — she teaches it to dream. Her work bridges centuries with elegance and boldness. A true visionary of our time.”
Curator Holly Art Gallery
“A visionary artist who has seamlessly blended the boundaries between classical art and technology. Mia Fendi’s work is not just a collection of images; it’s a dialogue between epochs, a testament to the enduring power of art.”
Art Historian
UNESCO Exhibition
“Her exhibition in Sarajevo attracted the highest number of visitors since the center opened 23 years ago, a testament to the captivating power of her work.”
Bosniak Institute
Sarajevo exhibition
Dear Ms. Fendi,
Just a quick note to say thank you for the fun and beautiful take on the Great Wave. We are seeing crowds in the galleries of people trying to get a glimpse of Hokusai's print!
All best,
Janice
--
Janice Katz, PhD
Roger L. Weston Curator of Japanese Art
Arts of Asia
The Art Institute of Chicago